How does one spontaneously move to a source of sound coming from a fountain that is no longer gushing? What memories and what signs does this condition detect and recall? Can a fountain that was once a magnet of social interaction change the dynamics of the space when the medium of attraction changes? Through the Pure Data programming environment an autonomous algorithmic instrument (patch) was created which is simultaneously open to external sound interactions. At its core is a noise oscillator that is passed through a band-pass filter to simulate water droplets. The installation is based on two wireless speakers and two wireless microphones in the basement of the source. More: ichorous
Neither a painter or a sculptor, Cage is best known for revolutionising modern music through his incorporation of unconventional instrumentation and the idea of environmental music dictated by chance. His approach to composition was deeply influenced by Asian philosophies, focusing on the harmony that exists in nature, as well as elements of chance. Cage is famous not only for his radical works, like 4'33" (1952), in which the ambient noise of the recital hall created the music, but also for his innovative collaborations with artists like Merce Cunningham and Robert Rauschenberg. These partnerships helped break down the divisions between the various realms of art production, such as music, performance, painting, and dance, allowing for new interdisciplinary work to be produced. Cage's influence ushered in groundbreaking stylistic developments key to contemporary art and paved the way for the postmodern artistic inquiries, which began in the late 1960s and further ...
Anestis was born in Bulgaria of Greek parents and moved to Tessaloniki in1934. He became influenced by modern composers such as John Cage , Earle Brown , and Bruno Maderna . Initially he wrote a number of works using conventional musical notation and different combinations of instruments and orchestrations. Around 1957 he started developing electronic music in Gottfried Michael Koenig 's studio in Cologne, producing his composition Fantasmata in 1960. One aspect of Logothetis' artistic talent is expressed in his graphic notations in which he has developed a personal system of musical symbols. They present the interpreter with a clear and directly understandable "sound picture". This kind of notation is also comprehensible to the layman as Logothetis' scores make visual sense even if the viewer has no musical training. "Culmination" is not instrumented. The material is distributed among the players; each of them then interprets ...
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